
NOW I finally understand the calligrapher I met in the fall last year: he said that to really understand hanji, you have to learn calligraphy. At the time, I thought, that's a great idea, but I want to learn how to make hanji first. But today I took up a brush and ink and almost passed out while doing some work in my sketchbook (the big one is all hanji that I made in the winter, and it's actually my "worst" batch, but it still felt amazing). I have to say that ink on hanji ranks up there with shooting with an SLR and great sex.
Most western paper is NOT right for eastern ink/brush work b/c there's no relationship: the paper repels the ink. The ink just sits on TOP of the paper. But ink on hanji is incredible. Go and get the supplies to do it at home b/c it is insanely gratifying. I wonder if there would be less war if more people did this.
I had intended today to do a post inspired by Frank's post yesterday, but I'm too tired from battling some demons and working to tackle it. But I think it's an important and deceptively simple question to consider: why we do what we do.
1 comment:
I am very tempted now to buy some of this paper and give my sumi brush some use. I'm a western illustrator by nature. But if putting my pen to western paper already has me swooning, I can only imagine the other stuff would knock my socks off. :)
Post a Comment