Eriko Horiki's illuminated washi
Yuko Nishimura's folded washi
We also had a visit to the book arts center and caught up with Jeff. I think afterwards I went straight to bed but I can't remember exactly the sequence of my naps. I could sense we were all slowing down in our own ways and while I was greedy for their company, I was also glad to turn in early at night. After the harvest and Kzoo trip were done, I was curious to see Pati's paper studio setup for the year, and loved seeing her watermarks both on her mould,and stored on the fridge!
This reminded me that I also want to get a vat warmer (not what this was made for but an excellent investment).I was jealous of their giant nasturtiums! I planted mine from seed for the first year ever and they were tiny, but then again, they were in planters.And, of course, part of the joy of Pati's and Tim's company is shared meals. This time I did a big batch of japchae, which I haven't made in years there, and it sustained us over a few more meals. Pati did a bang up job with her first kongjang/kongjorim, since I get paranoid now about not cooking with enough protein (I can't put meat in my japchae anymore so I wanted protein somewhere).On the way in, I stopped in Ann Arbor to lunch with Cathy and meet her new wonderful mentee, Trina. On the way out, I got to see Katherine and visit the art library and museum, where I did a quick visit to the Korean gallery. There's not much to say about my annual Michigan visit because it's always the same: nourishing, rejuvenating, full of wonderful friends, and my favorite papermaking fiber. I'm so grateful to my impeccable hosts, who are incredibly good humans and artists who work with genuine integrity while staying curious and open, always, while creating beauty every single day.















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