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Maybe that's not how I feel at all. I'm shut out of the printshop this weekend for the holiday - good and bad. Good b/c a break is handy. Bad b/c I was just getting ready to produce my zine in an etched format. Yesterday in the studio, I got horrible headaches from the bad ventilation. But I worked on seven plates, and had fun playing w/a new technique: sugar lift. I haven't been documenting my printmaking learning curve, so here is a good video on both the aquatint and sugar lift techniques, by Crown Point Press in SF.
I'm also in the bereft state of mind. I miss Ching-In - she's in Singapore on spring break. Before she left, she said that I read like a writer. My boss today showed me self-portraits she did when she was 10 and 20 years old, and I thought about what it might be like to know that you were an artist from an early age. I used to envy my musician friends who knew exactly what they wanted at age five. Or even fifteen.
Today was another exhausting studio day at work, but exciting: I began the very first production run at the resurrected papermill!! There are still lots of kinks to work out in the new space, but I managed to pull two sets of sheets, about 70 in all, while looking out the windows at the garden-in-progress. It was funny being back at the vat, after such a long absence. But I guess it's like what they say about riding bikes, or having sex (maybe they only say it about riding bikes...) - once you learn, you never forget. [Though I kind of protest this point b/c I learned how to ride a bike when I was a kid, and then had to re-learn it in college.]
1 comment:
Yeah, but you always KEEP learning about paper; it doesn't stop, like a class. Glad you're back at the vat!
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